Neda Aria
Transgressive Fiction Author, Marketing for Writers, Post Modernism Literature, Book Cover Design, Writing Mentorship
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About Me
Forgive my transgression!
Hey there! I'm Neda Aria, your not-so-ordinary transgressive fiction author who loves to play with the norms like a cat with a ball of yarn.
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I write I create, I build worlds in my imagination. Writing is my soul, creating is my passion. I write to explore the human mind, I write to reveal what's beneath that beautiful mask of yours. I uncover the darkness within. I dare to free words, I dare to be brave, I dare to say what others are afraid to say.
I write, I create. That's all I am.
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My work focuses on the wild territories of human behaviors, exploring the quirky, the weird, and the wonderfully absurd aspects of life. In my books like "ENARO," "Feminomaniacs," and "Machinocracy" you find a mishmash of science fiction, dystopian themes, and transgressive fiction.
My inspiration is like a who's who of the rebel writers' club; the greats like Philip K. Dick, Chuck Palahniuk, Franz Kafka, Aldous Huxley, George Orwell, José Saramago, Simone de Beauvoir, Fyodor Dostoevsky, Vladimir Nabokov, Sadegh Hedayat and Albert Camus.​
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My name and future pseudonym:
Neda in Slavic means born on Sunday, in the Persian means "the call" or "the voice."
Aria means "song" or "melody" in Italian. In Greek, it means "lioness" and in Persian, it's a gender-neutral name that means "noble."
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You will also find some of my books under the pseudonym Lilith Wilde
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What really makes me stand out in the literary jungle is my zany, off-the-wall writing style; many people call it strange and I tell them 'for fuck sake, I'm Persian, what do you expect?' My writing is a blend of transgressive and postmodern themes, often mix with elements of science fiction, dystopian fiction, New Weird and transgressive romance.
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My stories are not just for the faint-hearted; they're an adults-only rollercoaster ride through the wild and wacky world of human behavior - I dance through various literary traditions, from the elegance of Japanese literature to the boldness of American narratives, adding a dash of French flair and a pinch of Russian depth.
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Nothing Really!
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But I can say, personal anecdotes and stories from my life in Iran (Partially explored this in my book 'Counting Crows' as well as being a gypsy moving from one country to another, are an integral part of my writing. Like Persian carpet, my style, stories and characters are complex, dizzying, meaningful and twisty.
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